I went to see Ai Weiwei's 'Sunflower Seeds' sculpture - 100 million hand-made slightly-larger-than-life glazed ceramic seeds spread across an expanse of floor - a field of undifferentiated grey in the distance shading to striped particles, light and dark, up close.
Conceptual art, the work reflects on propaganda and on small acts of humanity during the Cultural Revolution, as people shared sunflower seeds, and as people themselves were depicted as sunflowers turning to Mao, the sun.
The work also reflects on the modern-day 'Made in China' tag. The artist worked with craftspeople in Jingdezhen, famous for its porcelain, drawing on their traditional skills.
Traditional skills are widely-practised in Indonesia: stone-carving, wood-carving, puppet-making, batik-making. In the traditional workshops of Cirebon, women patiently heat wax resist and apply it in canting ('chanting') to silk, sitting in stillness, like Vermeer paintings. Fine work is made to order, from the international market.
Outside, the days are longer. This was a beautifully sunny day, if icy cold - it must be snowing somewhere. I made this drawing near the Millennium Bridge then hurried home.
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Thanks for the lovely 'trees' that arrived this week. Hope everything is going well in London. What a contrast! Good luck with the studies and with FSA. Maybe see you in Sydney next year? Anne
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